Thankfully, ImpOSCar2 comes with a ridiculous amount of presets which you can use right away.
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Although the resizable interface imitates the original and is a joy to look at, don’t expect the labels near the knobs to reveal more than half of the instrument’s capabilities.Įven though you’ll quickly understand the standard subtractive workflow and you’ll be able to play notes in no time, it will take you more than a few tutorial videos before you understand how to use aux modulation, ring modulation, or even how to use the arpeggiator.
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Yes, ImpOSCar2 is an emulation of the rare OSCar, but unlike the original monophonic instrument, it offers full polyphony and plenty of other features, if you’re able to find them. I’m giving it as an example because it represents the inspiration for the product that I’m going to review today, namely the ImpOSCar2. Take for example the OSCar, a rare analog-digital hybrid that was produced during the first half of the 1980s and was very much ahead of its time due to its unusual features that blended subtractive and additive synthesis. Learning to play with just a few of these amazing instruments may open gates to an almost infinite variety of sounds which may significantly enhance your compositions. Synths come in all shapes and sizes, both in the physical world and the digital medium.
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